Don Eddy: The Resonance of Realism in the Art of Post War America: List of Illustrations

	DON EDDY: THE RESONANCE OF REALISM IN THE ART OF POST WAR AMERICA An art history monograph Internet publication by Virginia Anne Bonito, 1999. Published by ArtregisterPress.com. © Virginia Anne Bonito, 1999. All rights reserved.
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List of Illustrations

Images of the work of Don Eddy are reproduced by permission of the artist

Chapter 1: Excursions

Fig 1.
Don Eddy, New Shoes for H, 1973-74, acrylic on canvas, 44 x 48 in., The Cleveland Museum of Art, Cleveland, Ohio.

Fig 2.
Don Eddy, Angels of Destruction, 1967, mixed media, destroyed.

Fig 3. Don Eddy, Prodigal Son Cycle: There is no Escape, 1968, acrylic on masonite, 36 x 24 in., private collection.

Fig 4. Don Eddy, The Rat, 1969, acrylic on canvas, 48 x 48 in., private collection.

Fig 5. Don Eddy, 12:45 Waiting V, 1969, acrylic on canvas, 54 x 44 in., private collection.

Chapter 2: Universal Focus

Fig. 6. Don Eddy, Bumper Section XXI, 1970, acrylic on canvas, 34 x 48 in., private collection.

Fig. 7. Don Eddy, Bumper Section XIII, 1970, acrylic on canas, 66 x 48 in., private collection.

Fig. 8. James Rosenquist, I love you with my Ford, 1961, oil on canvas, 82 3/4 x 93 1/2 in., Moderna Museet, Stockholm. © James Rosenquist/Licensed by VAGA, New York, NY

Fig. 9. Tom Wesselmann, Landscape series, for example, Landscape #5, 1965, oil, acrylic and collage on canvas, 84 x 144 x 18 in., collection the artist. © Tom Wesselmann/Licensed by VAGA, New York, NY

Fig. 10. Don Eddy, Ford H & W, 1970, acrylic on canvas, 48 x 66 in., collection Pioneer and Haggin Museum, Stockton, CA.

Fig. 11. Don Eddy, Bumper Section XXIV, 1970, acrylic on canvas, 31 3/4 x 23 in, private collection.

Fig. 12. Don Eddy, Untitled (4 VWs), 1971, acrylic on canvas, 66 x 95 in., private collection.

Fig. 13. Don Eddy, Tom Williams Used Cars, 1971, acrylic on canvas, 66x 80 in., private collection.

Fig. 14. Don Eddy, Bus Stop, 1971, acrylic on canvas, 66 x 80 in., private collection.

Fig. 15. Don Eddy, Bumper Section XXIII, 1970, acrylic on canvas, 48 x 34 in., private collection.

Fig. 16. Don Eddy, Untitled (Volkswagen and Pontiac), 1971, acrylic on canvas 48 x 66 in., owned by Ludwig Collection; in the Museum of Modern Art, Vienna.

Fig. 17. Don Eddy, Private Parking X, 1971, acrylic on canvas, 66 x 95 in., collection St. Louis Museum of Art, St. Louis, MO..

Fig. 18. Raphael, Liberation of Saint Peter, ca. 1513, fresco, Stanza Eliodoro, the Vatican (detail).

Fig. 19. Edouard Manet, The Railway, 1873, oil on canvas, 36 5/8 x 44 7/8 in., National Gallery of Art, Washington D.C

Fig. 20. Don Eddy, Harley Hub,1970, acrylic on canvas, 28 x 28 in. private collection.

Fig. 21. Parmigianino, Self Portrait in a Convex Mirror, 1524, panel, diameter 9 5/8 in., Kunsthistorisches, Vienna; Jan Van Eyck, Arnolfini Wedding, 1434, panel, 33 22 1/2 in., The National Gallery, London; Don Eddy, Harley Hub (detail).

Fig. 22. Don Eddy, Pontiac Showroom I, 1972, acrylic on canvas, 80 x 66 in., The Robert B. Mayer Family Collection, Chicago.

Chapter 3: Reflections

Fig: 23. Edouard Manet, A Bar at the Folies-Bergere, 1881-82, oil on canvas, 37 1/2 x 51 in., The Courtauld Gallery, London. Not to be reproduced without permission of the Courtauld Gallery, London

Fig. 24. Bernice Abbott, A& P, New York, 1935, Bernice Abbott/Commerce Graphics Ltd., Inc.

Fig. 25. Don Eddy, Peaches, Tomatoes and Watermelons, 1972-73, acrylic on canvas, 60 x 60 in., Rhode Island School of Design Museum of Art, Providence RI.

Fig. 26. Don Eddy, Williams BBQ Chicken, 1973, acrylic on canvas, 63 x 48 in., private collection.

Fig. 27. Georges Braque, Man with a Guitar, (begun Summer 1911; completed early 1912) oil on canvas, 45 3/4 x 31 7/8, The Museum of Modern Art, NY. Acquired through the Lillie P. Bliss Bequest. Photograph © 1999 The Museum of Modern Art, NY. © 1999 Artists Rights Society (ARS), New York / ADAGP, Paris

Fig. 28. Don Eddy, Pots and Pans, 1972, acrylic on canvas, 48 x 60 in., San Antonio Museum of Art, San Antonio, Texas.

Fig. 29. Hans Hofmann, Land of Bliss and Wonder, California, 1960, oil on canvas, 52 x 60 in., whereabouts unknown. © Estate of Hans Hoffmann/Licensed by VAGA, New York, NY

Fig. 30. Don Eddy, New Shoes for H.M., 1973, acrylic on canvas, 48 x 48 in., private collection.

Fig. 31. Henri Matisse, La Musique (Music), 1939, oil on canvas, 45 3/8 x 45 3/8 in., Albright Knox Art Gallery, Buffalo, NY, Room of Contemporary Art Fund, 1940. © 1999 Succession H. Matisse, Paris / Artists Rights Society (ARS), New York

Fig. 32. Don Eddy, Silver Shoes, 1974, acrylic on canvas, 40 x 40 in., collection Richard and Monica Segal.

Fig. 33. Pierre Bonnard, Dining Room in the Country, 1913, oil on canvas, 64 3/4 x 81 cm. © by The Minneapolis Institute of Arts., © 1999 Artists Rights Society (ARS), New York / ADAGP, Paris

Fig. 34. Don Eddy, M. Raphael Silverware, 1975, acrylic on canvas, 60 x 40 in., private collection.

Fig. 35. Don Eddy, Gorevic Silver, 1975-6, acrylic on canvas, 50 x 70 in., private collection.

Fig. 36. Don Eddy, Gorevic Silver, 1975-6, acrylic on canvas, 50 x 70 in., private collection (detail).

Fig. 37. Don Eddy, Silverware V for S., 1977, acrylic on canvas, 40 x 40 in., collection Sarah Eddy, Washington, DC.

Fig. 38. Ralph Goings, Relish, 1994, oil on canvas, 44 x 64 1/2 in., collection Richard and Monica Segal.

Fig. 39. Don Eddy, Silverware IV, 1977, acrylic on canvas, 24 x 30 in., private collection.

Fig. 40. Don Eddy, Glassware I, 1978, acrylic on canvas, 52 x 40 in., private collection.

Fig. 41. Don Eddy, Glassware V, 1980, acrylic on canvas, 60 in. diameter, private collection.

Fig. 42. Richard Estes, Central Savings, 1975, acrylic and oil on canvas, 36 x 48 in., Nelson Atkins, Kansas City, MO. © Richard Estes/Licensed by VAGA, New York, NY/Marborough Gallery, NY

Fig. 43. Richard Estes, Spirit, 1995-96, acrylic and oil on canvas, 38 x 65 1/2 in., collection Richard and Monica Segal. © Richard Estes/Licensed by VAGA, New York, NY/Marborough Gallery, NY

Fig. 44. René Magritte, The Key to the Fields, (La Clef des champs), 1935, oil on canvas, 80 x 60 cm, Fundacion Coleccion Thyssen-Bornemisza, Madrid. © 1999 C. Herscovoci, Brussels/Artists Rights Society (ARS), New York

Chapter 4: Color

Fig. 45. Don Eddy, CIII, 1981, acrylic on canvas, 73 x 48 in., private collection.

Fig. 46. Don Eddy, C VI A, 1982, acrylic on canvas, 30 x 40 in., private collection.

Fig. 47. Don Eddy, C VI B (Mickey in a Half Moon Midnight), 1982, acrylic on canvas, 31 x 40 in., private collection.

Fig. 48. Don Eddy, C VI C/B.N. (Un Diluvio di Speranza), 1982, acrylic on canvas, 31 x 40 in., Contemporary Art Center, Honolulu, Hawaii, promised gift of the Honolulu Advertiser.

Fig. 49. Don Eddy, C VI D (Then There Were Two), 1982, acrylic on canvas, 31 x 40 in., private collection.

Fig. 50. Don Eddy, C VI E, 1983, acrylic on canvas, 60 x 78 in., private collection.

Fig. 51. Don Eddy, C IV B, 1981, acrylic on canvas, 30 x 38 in., private collection.

Fig. 52. Don Eddy, The Morocco Study, 1981, acrylic on board, 12 x 10 in., private collection.

Fig. 53. Jan Dibbets, Construction Sea, 1973 mixed media, 60.5 x 183.5 cm., whereabouts unknown.

Fig. 54. Don Eddy, C V B (Mickey and the Magic Flute), 1981, acrylic on canvas 36 x 36 in., private collection.

Fig. 55. Don Eddy, C V C (Spirit of the Space), 1981, acrylic on canvas 36 x 36 in., private collection.

Fig. 56. Don Eddy, C VII A, 1983, acrylic on canvas, 40 x 40 in., private collection.

Fig. 57. Don Eddy, C VII D (Paris Spring), 1984, acrylic on canvas, 40 x 56 in., private collection.

Fig. 58. Don Eddy, C VII E (Dreamreader), 1984, acrylic on canvas, 40 x 40 in., private collection.

Fig. 59. Charles Bell, Clown and Monkey, 1972, oil on canvas, 50 x 62 in., private collection. Courtesy Louis K. Meisel Gallery, New York

Fig. 60. Charles Bell, Valentine, 1984, oil on board, c. 10 x 7 in., private collection. Courtesy Louis K. Meisel Gallery, New York

Fig. 61. Charles Bell, Lullaby, 1983, oil on canvas, 64 1/4 x 78 1/4 in., collection Philbrook Museum of Art, Tulsa OK. Courtesy Louis K. Meisel Gallery, New York

Fig. 62. Charles Bell, Side Show, 1984, oil on canvas, 72 x 60", Phoenix Art Museum, AZ. Courtesy Louis K. Meisel Gallery, New York

Fig. 63. Lucas Samaras, Mirrored Room, 1966, mirrors on wooden frame, 8 x 8 x 10', collection Albright-Knox Art Gallery, Buffalo, New York, Gift of Seymour H. Knox, 1966.

Fig. 64. Don Eddy, Dreamreader's Cabinet, 1985, acrylic on canvas, 50 x 60 in., private collection.

Fig. 65. Don Eddy, A Night in the Tropics, 1985, acrylic on canvas, 34 x 48 in., private collection.

Fig. 66. Don Eddy, Altar Boy Daydreamer, 1985, acrylic on canvas, 55 x 44 in., private collection.

Fig. 67. Don Eddy, Daydreamer in Bellagio, 1985, acrylic on canvas, 50 x 60 in., private collection.

Fig. 68. Don Eddy, Autumn Light , 1986, acrylic on canvas, 50 x 60 in., private collection.

Fig. 69. Don Eddy, Jerome's Dilemma, 1986, acrylic on canvas, 40 x 48 in., collection of the artist.

Fig. 70. Don Eddy, Altar Boy Daydreamer II, 1987, acrylic on canvas, 56 x 40 in., Flint Institute of Art, Michigan, Museum Purchase in Memory of Mary Mallory Davis.

Fig. 71. Don Eddy, Arcadian Delusion, 1987, acrylic on canvas, 48 x 48in., private collection.

Fig. 72. Don Eddy, Persistent Memories II, 1987, acrylic on canvas, 50 x 48 in., private collection.

Figs. 73. Don Eddy, Persistent Memories III, 1988, acrylic on canvas, 60 x 40 in., private collection.

Fig. 74. Don Eddy, Escape from Dog Island, 1988, acrylic on canvas, 55 x 40 in., courtesy of Nancy Hoffman Gallery.

Fig. 75. Don Eddy, Passage A, B, C, 1989, acrylic on canvas, 32 x 32 in., private collection.

Fig. 76. Don Eddy, Dreamreader's Table V, 1990, acrylic on canvas, 50 x 50 in., private collection.

Fig. 77. Don Eddy, Supplicant Way, 1990, acrylic on canvas, 60 x 40 in., private collection.

Fig. 78. Don Eddy, Brightly Colored Numen, 1992, acrylic on canvas, 50 x 34 in., private collection.

Fig. 79. Don Eddy, After the Storm, 1993, acrylic on canvas, 48 x 72 in., private collection.

Chapter 5: Poetic Resonance

Fig. 80. Don Eddy, Memory and Imagination, 1989, acrylic on canvas, 50 x 50 in., private collection.

Fig. 81. Don Eddy, There Is No Escape (Prodigal Son); New Shoes for H (detail); Persistent Memories II (detail).

Fig. 82. Don Eddy, Celestial Expectations, 1992, acrylic on canvas, 52 x 30 in. (in 3 panels), private collection.

Fig. 83. Leigh Behnke, Messier's List, 1997, oil on panel, 14 x 45 in., private collection. Reproduced by permission of the artist

Fig. 84. Don Eddy, Dreamreader's Table V; Celestial Expectations (detail, upper panel).

Fig. 85. Don Eddy, Imminent Desire/Distant Longing II, 1993, acrylic on canvas, 74 x 36 in. (in 3 panels), private collection.

Fig. 86. Don Eddy, Limen, 1993, acrylic on linen, 68 x 40 in. (in 3 panels), private collection.

Fig. 87. Don Eddy, Aqueous Lumina, 1993, acrylic on canvas, 74 x 50 in. (in 3 panels), Seavest Collection.

Fig. 88. Don Eddy, Catena Aurea (The Golden Chain), 1996, color pencil on paper, 28 1/2 x 28 1/2 in., collection Richard and Monica Segal.

Fig. 89. Don Eddy, Oracle Bones, 1996, acrylic on canvas, 75 x 74 in. (in 7 panels), private collection.

Fig. 90. Don Eddy, City of Refuge II, 1998, acrylic on wood panel, 18 x 30 in. (in 3 panels), private collection.

Fig. 91. Don Eddy, Dream Weaver, 1999, acrylic on wood, 18 x 38 in. (in 3 panels), private collection.

Fig. 92. Don Eddy, Evacuation of the Common Error, 1997-98, acrylic on canvas, 44 x 44 in. (in 5 panels), private collection.

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Chapter 1: Excursions

Fig 1.	Don Eddy, New Shoes for H, 1973-74, acrylic on canvas, 44 x 48 in., The Cleveland Museum of Art, Cleveland, Ohio.

Fig 2.	Don Eddy, Angels of Destruction, 1967, mixed media, destroyed.

Fig 3.	Don Eddy, Prodigal Son Cycle: There is no Escape, 1968, acrylic on masonite, 36 x 24 in., private collection.

Fig 4.	Don Eddy, The Rat, 1969, acrylic on canvas, 48 x 48 in., private collection.

Fig 5.	Don Eddy, 12:45 Waiting V, 1969, acrylic on canvas, 54 x 44 in., private collection.

Chapter 2: Universal Focus

Fig. 6.	Don Eddy, Bumper Section XXI, 1970, acrylic on canvas, 34 x 48 in., private collection.

Fig. 7.	Don Eddy, Bumper Section XIII, 1970, acrylic on canas, 66 x 48 in., private collection.

Fig. 8.	James Rosenquist, I love you with my Ford, 1961, oil on canvas, 82 3/4 x 93 1/2 in., Moderna Museet, Stockholm. © James Rosenquist/Licensed by VAGA, New York, NY

Fig. 9.	Tom Wesselmann, Landscape series, for example, Landscape #5, 1965, oil, acrylic and collage on canvas, 84 x 144 x 18 in., collection the artist. © Tom Wesselmann/Licensed by VAGA, New York, NY

Fig. 10.	Don Eddy, Ford H & W, 1970, acrylic on canvas, 48 x 66 in., collection Pioneer and Haggin Museum, Stockton, CA.

Fig. 11.	Don Eddy, Bumper Section XXIV, 1970, acrylic on canvas, 31 3/4 x 23 in, private collection.

Fig. 12.	Don Eddy, Untitled (4 VWs), 1971, acrylic on canvas, 66 x 95 in., private collection.

Fig. 13.	Don Eddy, Tom Williams Used Cars, 1971, acrylic on canvas, 66x 80 in., private collection.

Fig. 14.	Don Eddy, Bus Stop, 1971, acrylic on canvas, 66 x 80 in., private collection.

Fig. 15.	Don Eddy, Bumper Section XXIII, 1970, acrylic on canvas, 48 x 34 in., private collection.

Fig. 16.	Don Eddy, Untitled (Volkswagen and Pontiac), 1971, acrylic on canvas 48 x 66 in., owned by Ludwig Collection; in the Museum of Modern Art, Vienna.

Fig. 17.	Don Eddy, Private Parking X, 1971, acrylic on canvas, 66 x 95 in., collection St. Louis Museum of Art, St. Louis, MO..

Fig. 18.	Raphael, Liberation of Saint Peter, ca. 1513, fresco, Stanza Eliodoro, the Vatican (detail).

Fig. 19.	Edouard Manet, The Railway, 1873, oil on canvas, 36 5/8 x 44 7/8 in., National Gallery of Art, Washington D.C

Fig. 20.	Don Eddy, Harley Hub,1970, acrylic on canvas, 28 x 28 in. private collection.

Fig. 21.	Parmigianino, Self Portrait in a Convex Mirror, 1524, panel, diameter 9 5/8 in., Kunsthistorisches, Vienna; Jan Van Eyck, Arnolfini Wedding, 1434, panel, 33 22 1/2 in., The National Gallery, London; Don Eddy, Harley Hub (detail).

Fig. 22.	Don Eddy, Pontiac Showroom I, 1972, acrylic on canvas, 80 x 66 in., The Robert B. Mayer Family Collection, Chicago.

Chapter 3: Reflections

Fig: 23.	Edouard Manet, A Bar at the Folies-Bergere, 1881-82, oil on canvas, 37 1/2 x 51 in., The Courtauld Gallery, London. Not to be reproduced without permission of the Courtauld Gallery, London

Fig. 24.	Bernice Abbott, A& P, New York, 1935, Bernice Abbott/Commerce Graphics Ltd., Inc.

Fig. 25.	Don Eddy, Peaches, Tomatoes and Watermelons, 1972-73, acrylic on canvas, 60 x 60 in., Rhode Island School of Design Museum of Art, Providence RI.

Fig. 26.	Don Eddy, Williams BBQ Chicken, 1973, acrylic on canvas, 63 x 48 in., private collection.

Fig. 27.	Georges Braque, Man with a Guitar, (begun Summer 1911; completed early 1912) oil on canvas, 45 3/4 x 31 7/8, The Museum of Modern Art, NY. Acquired through the Lillie P. Bliss Bequest. Photograph © 1999 The Museum of Modern Art, NY. © 1999 Artists Rights Society (ARS), New York / ADAGP, Paris

Fig. 28.	Don Eddy, Pots and Pans, 1972, acrylic on canvas, 48 x 60 in., San Antonio Museum of Art, San Antonio, Texas.

Fig. 29.	Hans Hofmann, Land of Bliss and Wonder, California, 1960, oil on canvas, 52 x 60 in., whereabouts unknown. © Estate of Hans Hoffmann/Licensed by VAGA, New York, NY

Fig. 30.	Don Eddy, New Shoes for H.M., 1973, acrylic on canvas, 48 x 48 in., private collection.

Fig. 31.	Henri Matisse, La Musique (Music), 1939, oil on canvas, 45 3/8 x 45 3/8 in., Albright Knox Art Gallery, Buffalo, NY, Room of Contemporary Art Fund, 1940. © 1999 Succession H. Matisse, Paris / Artists Rights Society (ARS), New York

Fig. 32.	Don Eddy, Silver Shoes, 1974, acrylic on canvas, 40 x 40 in., collection Richard and Monica Segal.

Fig. 33.	Pierre Bonnard, Dining Room in the Country, 1913, oil on canvas, 64 3/4 x 81 cm. © by The Minneapolis Institute of Arts., © 1999 Artists Rights Society (ARS), New York / ADAGP, Paris

Fig. 34.	Don Eddy, M. Raphael Silverware, 1975, acrylic on canvas, 60 x 40 in., private collection.

Fig. 35.	Don Eddy, Gorevic Silver, 1975-6, acrylic on canvas, 50 x 70 in., private collection.

Fig. 36.	Don Eddy, Gorevic Silver, 1975-6, acrylic on canvas, 50 x 70 in., private collection (detail).

Fig. 37.	Don Eddy, Silverware V for S., 1977, acrylic on canvas, 40 x 40 in., collection Sarah Eddy, Washington, DC.

Fig. 38.	Ralph Goings, Relish, 1994, oil on canvas, 44 x 64 1/2 in., collection Richard and Monica Segal.

Fig. 39.	Don Eddy, Silverware IV, 1977, acrylic on canvas, 24 x 30 in., private collection.

Fig. 40.	Don Eddy, Glassware I, 1978, acrylic on canvas, 52 x 40 in., private collection.

Fig. 41.	Don Eddy, Glassware V, 1980, acrylic on canvas, 60 in. diameter, private collection.

Fig. 42.	Richard Estes, Central Savings, 1975, acrylic and oil on canvas, 36 x 48 in., Nelson Atkins, Kansas City, MO. © Richard Estes/Licensed by VAGA, New York, NY/Marborough Gallery, NY

Fig. 43.	Richard Estes, Spirit, 1995-96, acrylic and oil on canvas, 38 x 65 1/2 in., collection Richard and Monica Segal. © Richard Estes/Licensed by VAGA, New York, NY/Marborough Gallery, NY

Fig. 44.	René Magritte, The Key to the Fields, (La Clef des champs), 1935, oil on canvas, 80 x 60 cm, Fundacion Coleccion Thyssen-Bornemisza, Madrid. © 1999 C. Herscovoci, Brussels/Artists Rights Society (ARS), New York

Chapter 4: Color

Fig. 45.	Don Eddy, CIII, 1981, acrylic on canvas, 73 x 48 in., private collection.

Fig. 46.	Don Eddy, C VI A, 1982, acrylic on canvas, 30 x 40 in., private collection.

Fig. 47.	Don Eddy, C VI B (Mickey in a Half Moon Midnight), 1982, acrylic on canvas, 31 x 40 in., private collection.

Fig. 48.	Don Eddy, C VI C/B.N. (Un Diluvio di Speranza), 1982, acrylic on canvas, 31 x 40 in., Contemporary Art Center, Honolulu, Hawaii, promised gift of the Honolulu Advertiser.

Fig. 49.	Don Eddy, C VI D (Then There Were Two), 1982, acrylic on canvas, 31 x 40 in., private collection.

Fig. 50.	Don Eddy, C VI E, 1983, acrylic on canvas, 60 x 78 in., private collection.

Fig. 51.	Don Eddy, C IV B, 1981, acrylic on canvas, 30 x 38 in., private collection.

Fig. 52.	Don Eddy, The Morocco Study, 1981, acrylic on board, 12 x 10 in., private collection.

Fig. 53.	Jan Dibbets, Construction Sea, 1973 mixed media, 60.5 x 183.5 cm., whereabouts unknown.

Fig. 54.	Don Eddy, C V B (Mickey and the Magic Flute), 1981, acrylic on canvas 36 x 36 in., private collection.

Fig. 55.	Don Eddy, C V C (Spirit of the Space), 1981, acrylic on canvas 36 x 36 in., private collection.

Fig. 56.	Don Eddy, C VII A, 1983, acrylic on canvas, 40 x 40 in., private collection.

Fig. 57.	Don Eddy, C VII D (Paris Spring), 1984, acrylic on canvas, 40 x 56 in., private collection.

Fig. 58.	Don Eddy, C VII E (Dreamreader), 1984, acrylic on canvas, 40 x 40 in., private collection.

Fig. 59.	Charles Bell, Clown and Monkey, 1972, oil on canvas, 50 x 62 in., private collection. Courtesy Louis K. Meisel Gallery, New York

Fig. 60.	Charles Bell, Valentine, 1984, oil on board, c. 10 x 7 in., private collection. Courtesy Louis K. Meisel Gallery, New York

Fig. 61.	Charles Bell, Lullaby, 1983, oil on canvas, 64 1/4 x 78 1/4 in., collection Philbrook Museum of Art, Tulsa OK. Courtesy Louis K. Meisel Gallery, New York

Fig. 62.	Charles Bell, Side Show, 1984, oil on canvas, 72 x 60", Phoenix Art Museum, AZ. Courtesy Louis K. Meisel Gallery, New York

Fig. 63.	Lucas Samaras, Mirrored Room, 1966, mirrors on wooden frame, 8 x 8 x 10', collection Albright-Knox Art Gallery, Buffalo, New York, Gift of Seymour H. Knox, 1966.

Fig. 64.	Don Eddy, Dreamreader's Cabinet, 1985, acrylic on canvas, 50 x 60 in., private collection.

Fig. 65.	Don Eddy, A Night in the Tropics, 1985, acrylic on canvas, 34 x 48 in., private collection.

Fig. 66.	Don Eddy, Altar Boy Daydreamer, 1985, acrylic on canvas, 55 x 44 in., private collection.

Fig. 67.	Don Eddy, Daydreamer in Bellagio, 1985, acrylic on canvas, 50 x 60 in., private collection.

Fig. 68.	Don Eddy, Autumn Light , 1986, acrylic on canvas, 50 x 60 in., private collection.

Fig. 69.	Don Eddy, Jerome's Dilemma, 1986, acrylic on canvas, 40 x 48 in., collection of the artist.

Fig. 70.	Don Eddy, Altar Boy Daydreamer II, 1987, acrylic on canvas, 56 x 40 in., Flint Institute of Art, Michigan, Museum Purchase in Memory of Mary Mallory Davis.

Fig. 71.	Don Eddy, Arcadian Delusion, 1987, acrylic on canvas, 48 x 48in., private collection.

Fig. 72.	Don Eddy, Persistent Memories II, 1987, acrylic on canvas, 50 x 48 in., private collection.

Figs. 73.	Don Eddy, Persistent Memories III, 1988, acrylic on canvas, 60 x 40 in., private collection.

Fig. 74.	Don Eddy, Escape from Dog Island, 1988, acrylic on canvas, 55 x 40 in., courtesy of Nancy Hoffman Gallery.

Fig. 75.	Don Eddy, Passage A, B, C, 1989, acrylic on canvas, 32 x 32 in., private collection.

Fig. 76.	Don Eddy, Dreamreader's Table V, 1990, acrylic on canvas, 50 x 50 in., private collection.

Fig. 77.	Don Eddy, Supplicant Way, 1990, acrylic on canvas, 60 x 40 in., private collection.

Fig. 78.	Don Eddy, Brightly Colored Numen, 1992, acrylic on canvas, 50 x 34 in., private collection.

Fig. 79.	Don Eddy, After the Storm, 1993, acrylic on canvas, 48 x 72 in., private collection.

Chapter 5: Poetic Resonance

Fig. 80.	Don Eddy, Memory and Imagination, 1989, acrylic on canvas, 50 x 50 in., private collection.

Fig. 81.	Don Eddy, There Is No Escape (Prodigal Son); New Shoes for H (detail); Persistent Memories II (detail).

Fig. 82.	Don Eddy, Celestial Expectations, 1992, acrylic on canvas, 52 x 30 in. (in 3 panels), private collection.

Fig. 83.	Leigh Behnke, Messier's List, 1997, oil on panel, 14 x 45 in., private collection. Reproduced by permission of the artist

Fig. 84.	Don Eddy, Dreamreader's Table V; Celestial Expectations (detail, upper panel).

Fig. 85.	Don Eddy, Imminent Desire/Distant Longing II, 1993, acrylic on canvas, 74 x 36 in. (in 3 panels), private collection.

Fig. 86.	Don Eddy, Limen, 1993, acrylic on linen, 68 x 40 in. (in 3 panels), private collection.

Fig. 87.	Don Eddy, Aqueous Lumina, 1993, acrylic on canvas, 74 x 50 in. (in 3 panels), Seavest Collection.

Fig. 88.	Don Eddy, Catena Aurea (The Golden Chain), 1996, color pencil on paper, 28 1/2 x 28 1/2 in., collection Richard and Monica Segal.

Fig. 89.	Don Eddy, Oracle Bones, 1996, acrylic on canvas, 75 x 74 in. (in 7 panels), private collection.

Fig. 90.	Don Eddy, City of Refuge II, 1998, acrylic on wood panel, 18 x 30 in. (in 3 panels), private collection.

Fig. 91.	Don Eddy, Dream Weaver, 1999, acrylic on wood, 18 x 38 in. (in 3 panels), private collection.

Fig. 92.	Don Eddy, Evacuation of the Common Error, 1997-98, acrylic on canvas, 44 x 44 in. (in 5 panels), private collection.