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DON EDDY: THE RESONANCE OF REALISM IN THE ART OF POST WAR AMERICA
An art history monograph Internet publication by Virginia Anne Bonito, 1999. Published by ArtregisterPress.com. © Virginia Anne Bonito, 1999. All rights reserved. |
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Selected Bibliography
| Abbott, Bernice, Changing New York, text by Elizabeth McCausland, 1939. Reprint, with title New York in the Thirties, New York: Dover Publications, 1973. Alberti, Leon Battista, On Painting, (transl., with introduction and notes by John R. Spencer, New Haven: Yale University Press, 1966. Arnason, H.H., History of Modern Art, New York, Harry N. Abrams Inc., 1968. Arnheim, Rudolf, Art and Visual Perception: A Psychology of the Creative Eye, Berkeley and Los Angeles: University of California Press, 1967. Arthur, John. Richard Estes: Paintings & Prints, San Francisco: Pomegranate Art Books, 1993. Baeder, John, Vincent Scully, John Arthur, Diners; Revised and Updated, New York: Harry N. Abrams, Inc., 1978, 1995. Barasch, Moshe, Theories of Art: From Plato to Winckelmann, New York: New York University Press, 1985. Barasch, Moshe, Light and Color in the Italian Renaissance Theory of Art, New York: New York University Press, 1978. Battcock, Gregory, editor, Super Realism; A Critical Anthology, New York: E.P. Dutton, 1975. Bonito, Virginia Anne, Get Real: Contemporary American Realism from the Seavest Collection, Durham: Duke University Museum of Art, 1998. Brachot, Isy, ed., Hyperrealisme, Brussels: Imprimeries F. van Buggenhoudt, 1973. Canaday, John, Mainstreams of Modern Art, New York: Holt, Rinehart and Winston, 1959. Canaday, John, and John Arthur. Richard Estes: The Urban Landscape, Boston: Museum of Fine Arts, Boston (and New York Graphic Society, Boston), 1978. Chase, Linda; Foote, Nancy; McBurnett, Ted, “The Photo-Realists: 12 interviews,” Art in America, November-December 1972. Coke, Van Deren, The Painter and the Photograph: From Delacroix to Warhol, Alberquerque, University of New Mexico Press, rev. ed. 1972. Don Eddy, Galerie Andre Francois Petit, Paris: L’Imprimerie Union a Paris, 1973. Dunning, William V., Changing Images of Pictorial Space: A History of Spatial Illusion in Painting, Syracuse: Syracuse University Press, 1991. Flack, Audrey, Audrey Flack on Painting, New York: Harry N. Abrams, Inc., 1985. Geldzahler, Henry, Charles Bell, The Complete Works 1970 - 1990, New York: Harry N. Abrams, 1991. Geldzahler, Henry, New York Painting and Sculpture: 1940-1970, New York: E.P. Dutton, in assiciation with the Metropolitan Museum of Art, 1969. Gernsheim, Helmut, and Gernsheim, Alison, The History of Photography from the Camera Obscura to the Beginning of the Modern Era, New York: McGraw-Hill Book Co., 1969. Goodyear, Frank H., Jr., Contemporary American Realism Since 1960, New York Graphic Society, Boston (Little, Brown and Company, Canada), 1981. Hamilton, George H., 19th and 20th Century Art: Painting, Sculpture, Architecture, New York: Abrams, 1970. Hartt, Frederick, Art: A History of Painting, Sculpture, Architecture, Englewood Cliffs, NJ: Prentice-Hall, and New York: Harry Abrams, Inc., third printing, 1979. Herbert, Robert L., Impressionism: Art, Leisure, and Parisian Society, New Haven and London: Yale University Press, 1988. Hofmann, Hans, with an introduction by Sam Hunter, Hans Hofmann, New York, Harry N. Abrams, Inc., nd. Holt, Elizabeth, A Documentary History of Art, vols. I-III, New York: Doubleday Anchor Books, 1957. Hunter, Sam, Larry Rivers, New York: Rizzoli, 1989. Janis, Sidney, Sharp Focus Realism, New York: Sidney Janis Gallery, 1972. Janson, H. W., History of Art: A Survey of the Major Visual Arts from the Dawn of Time to the Present Day, New York: Harry N. Abrams, 1986. Johnson, Neil, “Don Eddy, Master of Reality,” Airbrush Action, Nov - Dec 1991, 8 ff. Lee, Rensselaer W., "Ut Pictura Poesis:" The Humanistic Theory of Painting, New York: The Norton Library, WW Norton & Co., Inc., 1967. Lucic, Karen, Charles Sheeler and the Cult of the Machine, Cambridge: Harvard University Press, 1991. Martin, Alvin, “Spaces of the Mind: New Paintings by Don Eddy,” ARTS Magazine, February 1987. Meisel, Louis K., Photorealism, New York: Harry N. Abrams, Inc., 1980. Meisel, Louis K., Photorealism Since 1980, New York: Harry N. Abrams, Inc., 1993. Newhall, Beaumont, The History of Photography, New York: The Museum of Modern Art, (Boston, Little, Brown and Co.), sixth printing, revised 1997. Ollinger-Zinque, Gisèle and Frederik Leen, eds., Magritte: 1898 - 1967, Ghent: Ludion Press and New York, Harry N. Abrams, 1998. Osterwold, Tilman, Pop Art, Koln: Benedikt Taschen Verlag GmbH, 1991. Pollitt, J.J., The Ancient View of Greek Art: Criticism, History and Terminology, New Haven and London:Yale University Press, 1974. Real, Really Real, Super Real: Directions in Contemporary American Realism, San Antonio: San Antonio Museum Association, 1981. Rosenblum, Robert, Cubism and Twentieth-Century Art, Englewood Cliffs: Prentice-Hall, and New York: Harry N. Abrams, Inc., second printing, 1982. Rubin, William S., Frank Stella, New York: The Museum of Modern Art (New York Graphic Society, Greenwich, CT), 1970. Stealingworth, Slim, Tom Wesselmann, New York: Abbeville Press Inc., 1980. Storr, Robert (with essays by Varnedoe, Kirk & Wye), Deborah, Chuck Close: On the Occasion of the Traveling Exhibition, New York: The Museum of Modern Art, 1998. Wheeler, Daniel, Art Since Mid-Century: 1945 to the Present, New York: The Vendome Press, 1991. Wheelock, Arthur K., Jr., Jan Vermeer, New York: Harry N. Abrams, Inc., 1988. |
